Helena van Essen
Studio for Visual Art
PO Box 15185
NL- 1001 MD Amsterdam

info@helenavanessen.nl
+ 31 (0) 6 24 80 44 24

This page is part of the installation ‘Tower of Babel’ >> back to the preface

 

Mairéad Farrell, is 14 yrs. when she joins the IRA. Irish issue. Liquidated on Gibraltar. 1988. 31 year old. Part Tower of Babel, Art installation © Helena van Essen

Irish Issue

 

 

 

 

 



Although independent in name, Ireland is actually a colony of England until the beginning of the 20th century. In the predominantly Catholic country, it is the British, Protestants nobility who is in charge and who also owns the most land.

The Irish population lives in bitter poverty, partly as a result of a disastrous famine in the mid-nineteenth century. Partly because of this, the call for Irish self-government is growing, which in 1916 leads to the so-called Easter Revolt, followed by a guerrilla war against the English ‘occupiers’.

In 1921, a treaty is concluded whereby Ireland becomes independent, while six northern provinces, where relatively many Protestants live, remain part of the United Kingdom. This is the seed for ‘The Troubles’, the conflict that breaks out there between the Catholic paramilitary groups and the English army in the late 1960s. The IRA (Irish Republican Army) in particular has committed a number of bloody attacks. Only in 1998 will peace be restored in Northern Ireland with the signing of the Good Friday Agreement.

Victims: around 1 million as a result of the famine in the 19th century; about 1,700 (para) soldiers and 1,800 civilians between 1968 and 1998.


‘Ballyseedy Monument’, commemorates 9 IRA fighters. 1923. Ireland, Kerry, Tralee, Ballyseedy. Part Tower of Babel, Art installation © Helena van Essen ‘Ballyseedy Monument’

Location: Ireland, Kerry, Tralee, Ballyseedy

Design: Yan Goulet

Unveiling: 1959

Photo: Stair na hÉireann | http://bit.ly/2Zcy42N


In December 1921, England and the provisional Irish government sign a treaty recognizing Irish independence. However, part of the Irish Republican Army (IRA) does not consider the treaty to go far enough, resulting in a violent civil war. A very cruel execution takes place in March 1923 near Ballyseedy Cross, County Kerry. Nine IRA fighters are tied there by government troops to a land mine, which is then detonated. As if by a miracle one of them survives, making the atrocity known.

‘IRA Plot’, monument presents Cú Chulainn. 1975. Commemorates 46 killed IRA members. Northern Ireland, Derry. Part Tower of Babel, Art installation © Helena van Essen

‘IRA Plot’

Location: Nothern Ireland, Derry, Creggan, Derry City Cemetery

Design: unknown, the image represents Cú Chulainn, the most important hero and demigod of Ulster mythology

Unveiling: 1975

Photo: Martin Melaugh | http://bit.ly/2MgIybf


After years of unsuccessful demonstrations by the Catholic inhabitants of Northern Ireland for equal rights, riots between Catholics and Protestants break out in August 1969. Soon the riots turn into an armed conflict (‘the Troubles’), which continues until the beginning of this century. One of the main hot spots is Derry. Already in 1975 a monument is erected in a cemetery in the Creggan district for 46 killed members of the IRA. According to official sources, between 1969 and 2001, a total of 3,532 people die as a result of the conflict.

‘The Great Hunger’, memorial 1 million Irish starvation 1845-1850. Ireland, Dublin. Part Tower of Babel, Art installation © Helena van Essen

‘The Great Famine’

Location: Ire, Dublin, North Dock

Design: Rowan Gillespie

Unveiling: 1997

Photo: Daylina Miller | http://bit.ly/2MY8rfv
Irish farmers have been leasing their land for centuries from English noble landowners. They chiefly grow potatoes, the main food of the poor Irish population. The fact that the potato harvest fails three times between 1845 and 1850 is therefore a catastrophe. Countless farmers can no longer pay the rent and are evicted from their land. In addition, the English export Irish grain and dairy products on a large scale to England. The result is a great famine that kills a million poor Irish people. Another million are forced to emigrate, mainly to America.

‘The death of innocence’, mural, commemorates 100th victim, 14-year-old girl. 1971. Northern Ireland, Derry. Part Tower of Babel, Art installation © Helena van Essen

‘The death of innocent’

Location: Northern Ireland, Derry, corner Lecky Road/Westland Street (mural)

Design: Bogside Artists

Unveiling: 1e version: 1999, 2e version: 2006

Photo: CAIN | http://bit.ly/2H6myeL


The one-hundredth victim of the civil war in Northern Ireland is Annette McGavigan, a 14-year-old schoolgirl. After one of the countless riots between local youth and the British army, she takes to the streets with other children on 6 September 1971 to collect the remaining rubber bullets. Suddenly the soldiers shoot again. Annette is hit in the back of the head and dies on the spot. The perpetrator is never traced.

‘Reconciliation’, image for hope and reconciliation. 20 years after Bloody Synday. 1992. Northern Ireland, Derry. Part Tower of Babel, Art installation © Helena van Essen

‘Hands across the divide’

Location: Northern-Ireland, Derry, Craigavon Bridge (west end)

Design: Maurice Harron

Unveiling: 1992

Photo: CAIN | http://bit.ly/303jNlQ


In the middle of (London-)Derry, on a roundabout near the river Foyle, is situated this remarkable statue of two men reaching out to each other. It is unveiled in early 1992 as a sign of hope and reconciliation between Catholics and Protestants. On that day exactly twenty years have passed since on Bloody Sunday fourteen unarmed civilians demonstrating for civil rights are shot by the British army.

‘Prepared for peace, ready for war’ , mural loyalists. 1997, 2004. Northern Ireland, Belfast. Part Tower of Babel, Art installation © Helena van Essen

Mural: PREPARED FOR PEACE | READY FOR WAR

Location: Northern Ireland, Belfast, Mount Vernon Road

Design: unknown

Unveiling: in 1997 on Shankill Road and again in 2004 when moved up on the hill, at eye-level with the motorway roundabout

Photo: Corey Gallagher | http://bit.ly/33zbosA


The many murals, which have been applied to blind walls since the late 1970s, count among the major tourist attractions of Belfast. Initially, the paintings are based on the armed struggle between Republicans (Catholics striving to join Ireland) and Loyalists or Unionists (Protestants who want Northern Ireland to remain British). In Shankill Road, the heart of the Protestant neighbourhood, mainly ‘loyalist’ fighters are glorified. Various militant paintings, such as this one, have since been replaced by murals on a more peaceful subject at the behest of the municipality.